after the success of pash on 7ltd01, seven limited is back!
for our 2nd release we welcome a very special new name to the scene. >montel< is a uk based, veteran dj, record collector and house head. since posting up his first production demos on soundcloud only a few months ago, he immediately drew the attention of top names such as jordan peak, bicep and waze & odyssey. since then he has signed music to esteemed labels like skylax, wax classic, lets play house, midnight love club and love revolution.
montel delivers some straight up no nonsense old skool house & garage flavours here. cut up vocals, phat bass, upfront synths and dusty beats are the order of the day!
01 sold out fast.. dont miss 02. strictly vinyl only!

the first track is reminiscent of a military drum ritual dating back to the middle ages in which drums were used to create a melody that would call the soldiers on their feet at dawn. the second original track is a destroyer with intermittent drum patters and analogue bass lines that will leave nothing unaltered. conrad van ortons takes us deep into the eery world that lies beneath us. patrick kriegers interpretation is a magical dance floor track with eminent eloquence.
support from electric indigo, giorgio gigli, dvs1, inigo kennedy, tea, henning baer, nx1, perc, deepbass, ness, max_m, exium, korova, nax_acid, angel costa, mark morris, anderson noise, emanuele pertoldi, azterisco, mattias fridell, mike wall, d. carbone, roberto figus, adriana lopez, mtd, urbano, tracy, vsk, future 16, analogue people ...

minimal, techy with bounce, swing and a lethal hollow bass, this is how lil silva kicks off 2013. already receiving support from the scenes pace setters mickey pearce, t williams, dva, bok bok and shy fx, *the split / venture* is in the series of white labels silva is releasing himself on ls whites. limited to 500 copies on white vinyl, previous ls whites have sold out quickly. the *the split / venture* release is silvas parting shot to a year that will see him release a full ep in spring.

besinnliche ballade oder turbulente tanznummer? organische klangfarben oder synthetische brillanz? experimentelles beat-gefrickel oder gradliniger rumms? die canow ep ist alles. und in ihrer gesamtheit noch viel mehr.

anton kubikov, for more than a decade well known as half of scsi-9, delivers with his solo debut a killer twelve inch for pro-tez records. limited to 300 copies, it is a reduced 4/4 dub vapored ep that unfolds into a blissed out session and sounds like a cross between chain reaction s fluxion and rhythm and sounds more bass-heavy emissions. dub techno heads listen up!

mit *the perfect blues* veröffentlichen jesse boykins iii und melo-x einen der herausragenden tracks des letztjährigen albums *zulu guru*. remixe kommen von machinedrum und jacques greene! greene begeistert mit einem house-blues der sonderklasse, und machinedrum bringen den spaß zurück auf die dancefloors - drum & bass trifft auf timbaland!

manmakemusic kick-off 2013 with their housiest offering to date from two new label artists, natan h & amy jean. natan h made his debut last year with anton zaps ethereal sound and on this occasion collaborates with longtime creative partner for an ep of bumping, unconventional house music. title track, *for her*, is a beast of unrivalled warmth working a deep and steady groove to perfection. on the flip, *i know* is a soulful disco-infused workout while *rush* takes aim squarely at the late night raver with its enveloping pads and low-slung bass line.

mit dem album aoxomoxoa sind viele premieren der band verbunden. es war das erste album, das sie ausschließlich in tonstudios in nähe ihrer heimatstadt san francisco aufnahm, im pacific recording studio bei san mateo und im pacific high recording studio direkt in san francisco. es ist das erste album, bei dem tom constanten als festes bandmitglied mitspielte. robert hunter arbeitete nur als offizieller songwriter für die band und mit garcia bis zu dessen tod zusammen. zum ersten mal wurde ein schwerpunkt bei akustischen songs wie mountains of the moon und duprees diamond blues gelegt. somit musste lesh zum ersten mal einen akustischen bass spielen, was er mit dem spielen einer violine verglich, da dieser keine bünde für die finger hat.

benno blome and adrian martin have created a reminiscence of sound. echoes calling from the past into the very moment you are in. *echoes from home* recalls the deepest and hidden treasures lying and waiting patiently inside your soul. creatively complex in movement, the sound carpet is easy and accessible from every point of listening. a touch of incense from the past combined with todays visionary artistry of both performers. close your eyes and follow the echo, the capturing flow from the original version. the nico stojan mix is a sexy combination of the original flow with a touch of bitchy attitude added to the bass line. perfect for a more hidden place near the dance floor while kellerkind has added a deep sassy feel to his interpretation of *echoes from home*. both versions pay tribute to the original mix without losing either the originals or their own character. this is *echoes from home*, the more you hear it, the more you want to play it!

for the second release on the transit records kyoto imprint, kyoto underground track-maker & dj ryoma sasaki lays down 2 cuts and then theres still the remix from berlins own tagträumer² that works just as well on all floors. >take me back to myself< is the lead track with the piano riff that makes floors hot. >all begin from here< is the deep house, bass heavy track that explodes with a sophisticated sax line. tagträumer² has remixed this track for transit records kyoto into a steady building, surging tech-house masterpiece that will sound great on club speakers

knox is the band brainchild of brother-sister duo nic and eliza coolidge. hailing from boston and new york, the siblings released their second ep, here, on december 3rd, and it is a big step forward for the band. formed less than two years ago, in march 2011, knox finds themselves working with the likes of john tejada and kuxxan suum on this release, and the outcome is stunning. here is five-song set full of ice and echoes. it runs as close to the third rail of impersonation, but flies away so quickly that knox sounds contextual and perfectly fresh. the influences from james blake is clear: the swooping, bomber bass and half-timey compressed dub beats, here could also easily be an inventive b-side to the latest how to dress well album. but, with the limited scale, interspersed remixes and foundling status in the scene, i would say it is likely a more impressive feat. the ep as a whole is desolate. expansive spaces filled with cold little beats and vocal washes, exploring in the course of five songs an icescape aesthetic with a sense of place usually reserved for full-length albums. the remixes blend so seamlessly that i didnt even realize they were during my first, casual listen.

shameless toady are delighted to announce their latest release from london-based rising star pip williams. >analog sequences< is a limited 4 track ep on heavyweight 12 inch vinyl. clearly not one to limit his style to any one genre, toad007 features a wealth of cutting-edge uk bass music spanning electro and dubstep through to subtle and melodic modular ramblings.

detroit veteran len bartush (mutate) returns to advance the series that began with the now classic circle 1. a full round kick and jack style upbeats are all that is necessary to support the deep, modulated synth lines that travel through lush plates of reverb. alberto pascual hits a homerun with his remix that will move any club, festival, or warehouse party. project 313s remix supplies moving synth lines are stripped down and replaced with driving rhythms and pulsating bass making this a superb techno offering. the plankton remix turns up the tension with warehouse style percussion and intertwining rhythms complimented by science- fictionesque stabs and pounding bass. the >circle 2< ep is an essential piece of detroit minimalism.

underbelly records return this january with a three track ep from dutch producer wouter de moor, entitled >dx love< and backed with a remix from kris wadsworth.
the kris wadsworths zombie surfer remix opens the ep here and in true wadsworth fashion embraces a raw, dubbed out detroit vibe. punchy drilling beats and underlying twisted melodies drive the track alongside a penetrating arpeggiated bass-line, the result is a moody, peak-time slow bloomer with a touch of class as expected from the detroit master.
pressing on white vinyl.

preceding the release of bad cop bad cops debut album >wings of techno<, 4 tracks of the long player get the remix treatment by a unique quartet of techno artists: tobias, group niob, brendon moeller and pomelos upcoming star kemetrix. >wings of techno< is a psychedelic tour-de force through various styles of electronic sounds. deep and unique, jacking at times while laid back and cosmic at others. all four remixers on duty here manage to keep the psychedelic and surreal feel of the originals intact while adding a great dose of dancefloor friendliness to the tracks. ostguts tobias. reworks hilton hihat into a deep and dreamy acid techno tune. he is followed by motor city talent kemetrix, who steps up the pace and edginess with a twisted, stomping electro-techno hybrid remake of beauty. group niob, the viennese duo formed by cheap records legend gerhard potuznik and martin dibek, contrast the goth-pop vocals of the original bodyless material with deep dubbed- out techno beats. and lastly, the unmistakeable brendon moeller turns cheeky into an undulating, deep bass driven dub techno stomper

autumn days are coming quite near and with >jahreszwei< – an ambient tape by berlin based artist the marx trukker – we deliver the soundtrack for that more thoughtful time of the year. as the 4-track ep is put together chronological (starting with the track that was produced last), the a-side is more dark and dusty (roughly produced beginning of autumn with an electric bass, an old portastudio and loads of forbidden recording-techniques) while the b-side shines a bit brighter and lighter (produced digital end of summer, concentrating on the dave smith evolver synthesizer only). so take a walk through a forest next to you and enjoy the beautiful autumn-nature while having >jahreszwei< on your ears!
· limited tape (edition of 75)
· nice and arty black/white printed fold-out-poster as inlay (total size a4)
· 12 different unique artwork-labels
· produced by audio service (rand muzik)/leipzig
· printed and assembled by noorden/cologne
· including download-code for flac/mp3/etc.

tough techno two track ep from hot collaboration. attemporal meets ness. att series producers throw it down.bass. “attemporal is maybe the most “in shape” spanish formation of the actual techno scene. since their label att series, and the releases in renowned labels like synewave, they warns us a very promising future.

after 21 releases and covering most areas of house its time to introduce anaxander and present a new sound to the ever growing local talk catalogue. the a side antionette is a perfect electronic influenced body-locking flavored track, an organ alongside a bouncing bass and a rhythmic feel is sometimes all you need to get moving ! its the b-side that really take things to the next level. anaxander both puts his own clever stamp on these two tracks and delivers acid in the old, vintage sense that owes more to the raw and unpolished club tracks played by ron hardy at music box than to the old school house vibes you have expected from local talk. both cat feeding and i want you now are two tracks of a new era of local talk. innovating, futuristic and original produced electronic analogue funk for 2012

baths resident prodigy troy gunner, having previously cut his teeth with a trilogy of eps charting leftfield ukg, post-dubstep, and funked-out seemingly-moog-driven bass jams, joins the infinite machine fam with a singular take on dub techno.

vinyl only and limited to 500 copies! on the fifth release we explore the oceans deepest depths, somewhere in a far away galaxy. these 3 tracks are filled with heavy thundering bass drums, slow building synth sculptures and droning machines! are you ready to submerge

vinyl only and limited to 500 copies! on the fifth release we explore the oceans deepest depths, somewhere in a far away galaxy. these 3 tracks are filled with heavy thundering bass drums, slow building synth sculptures and droning machines! are you ready to submerge

ltd acker dub two for one pack incl ackerdub014 & ackerdub016 !!

superb debut release on piktogram, a label founded by polish artist ra. highly influenced by the naples, berlin, montreal and detroit techno scenes, his vision is to release fresh music with an old school flavour. this first two-tracker of bass-heavy dancefloor ammo of the highest calibre

the hardworksoftdrink guys cedric dekowski and felix reifenberg got together with their old friend marius rademacher, aka macher and created some serious sounds, which really speak for themselves.
these young rookies from mainz offer a peak into their strong three track ep on 87. the experimental bass bomb >sessionyo< speaks to all sound-o-files as well as the very different but clubby >tesai<, which has proven its popularity and effectiveness on many a dancefloor.
the b-side is dedicated to the rolling epic that is >sofaga<, with a combination of crisp, crunchy beats with beautiful, psychedelic harmonies.

phoenix g. ferm and deep kickdrums that are being accompanied by lengthy chords and a frequently return male vocal that states, bounce. all and all this is the dancefloor music we are used to from mr.g. the a2 brings a more technoish vibe to dance to. this fits perfect in the modern trend of bass producers turning techno. while of course g is somewhat more of a legend and he didnt just turn to this type of music recently. it does proove that he is still abel to catch any kind of vibe to get the people moving. on the b1 we find a ben sims remix. which of course is enough said. mr sims turns the a2 original into an absolute floor wrecker.

there are two tracks on nottingham producer spares >slacking ep< that immerse you really well in his taught world of bass pressure. kankle is firing tribal house, though its hard to get the measure of how the thud of the kick drum could ever fit under the bass work, and the weekend is a clipped garage pound with serenely oppressive low end

this sound will definitely clear your mind and thats a promise! with great pleasure brouqade proudly presents dragosh, a highly talented young producer from rumania. his ep, five is uncompromisingly devoted to his obsession with snare and bass descending into the depths, there, where the beat sharpens the senses. vocals whisper unexpected secrets. dragoshs molecular, crystal clear sound beams directly onto the dancefloors. no detours.

taiki and nulight or to their friends rowan harrington and erka chinbayer have both been djing/producing for many years both in very different circles. taikis career started back in 2008 under his old alias name site 1 who was a house/electro producer. they joined forces and started working together in 2011 which now seems like a lifetime ago considering on what they have achieved in such a short time. when they first started out working together they were making a lot of dubstep, house and electro influenced bass music as we call it now. being heavily into garage, house and electronic dance music there sound heavily progressed across the spectrum of dance music. taiki and nulight released their first ep in february 2012 on subway recordings which gained a lot of support from the likes of mistajam, crookers, herve zinc, redlight, foamo, roska, benga, skream, adam f, hatcha, n type and more. gaining them a lot of frequent airtime on bbc radio 1, 1xtra, kiss 100 and rinse fm. now nearly a year and a half since they have joined forces, they have received massive support from some of the most respected djs out there not to mention air time nearly every week on radio 1 and kiss 100. with their next release on the horizon and due to drop december time 2012 on bengas very well respected label benga beats there is so much more that you will see from these boys and so much new material to hear.

after their enormous release on bad taste recordings, new drums/double thinking, the teddy killerz return with nphonix for another dose of some of the hardest, underground drum and bass around. with releases on the likes of fokuz limited, icarus audio, citrus recordings, caliber music and bad taste recordings between them, the deadly pairing bring two tracks of cutting edge dnb for bt027.

following their past releases, pure* records delivers another golden & soulful one - smell the sunshine, the beach, the summer. built upon flowing percussion and filled with an addictive baseline - a melodic and groovy tech-house hymn with great remixes by no one else than mollono.bass, beatamines

vinyl only ! after a break render obedience is back. a side comes from valeria croft /russia/. make me good is classic filter house track with strong rhythm and groove. b side comes from adrianho and azteca /romania/. neverending dream is powerful tech-house burner with massive bass line and remarkable breakdowns.

doubleheart is neil landstrumm and optimos jd twitch. after releasing a well received first ep on nonplus in 2011 shipwrec is proud to announce their second output of music and again its an open-minded and next-level approach on electronic dance music, blending styles with precision and fun, whether being it bassmusic, electro, disco, dubstep or whatever. oldschool future bass music for both head and feet! comes in a printed disco sleeve, limited to 300 copies!

the uks very own george fitzgerald continues to cement his case as one of the top house producers in the world. the latest to be snagged by the eclectic hypercolour label, mr. fitzgerald continues to spread his wings and really hone in on his fusion of house/garage, bass heavy, melodic sound.

piek and friends deliver a solid retro themed deep house pack on pistons latest vinyl outing. top quality beats and classic samples will have you bouncing all night long. bjerk peterson joins in on nasty serving up a real tasty club cut with those familiar sounds we all love while pawas delivers a sublime, deep funk fuelled remix. on the flip efron drops by on the stunning bass monster ma business backed up with a super remix from hector couto. a straight up solid groove and a definite must have 12inch for those boxes!

these redux releases are like buses, we dont hear anything for ages then they hit us with three killer eps in a row. following the grand corporation and machete savane comes the return of phoreski. we have not heard much from phoreski for a little while, but you will soon hear why when you put the needle to the record on these two new tracks. he has been busily building up his studio into an enviable aladdins den of vintage kit, wires and analogue recording equipment. all synths and vocals you hear on these tracks come from phoreski, no samples, no guests, no edits. he has been hinting at this raw, analogue authentic sound for a while, but these tracks showcase a producer at one with the machines. >brown biscuits< comes across like some lost italo/cosmic gem, but via the north east of england rather than the lakes of italy. >machines< flexes tight proto-house rhythms with some bass that will make mince meat of lesser club soundsystems whilst the feuding synth lines fight for attention. this is proper body music, play loud!

is it balearic hit their late 20s with another superb release - this time craig bratley steps up with analogue dreams. craig has earnt quite a reputation from only a handful of releases, including the weatherall favourite and classic cut >birdshell< on instruments of rapture. on analgue dreams, craig lays down a gently evolving, acid tinged piano slow burner, all mood and melody. first up on the remix we have the ever essential bonar bradberry who amps things up and takes a clonking bass riff down the disco for a real good time. on the flip crimea x pare the musical elements right down and build an epic remix from the raw ingredients, employing live percussion and shimmering synths. finally joes bakery dial down the tempo and incorporate some deft acoustic guitar and gentle moodswings alongside the musical elements of the original.

awesome sounding remastered re-issue of this super-rare underground disco belter from crosstown traffic. originally released in 1979 on tiny philadelphia label d.c. records, this highly collectable 12 inch still gets plenty of playtime today from djs such as dmitri and al kent. on the a-side >party people< slams you hard with funky basslines, furious disco beats, heady 70s synths and a whole load of party lyrics. truly infectious! then grooving sideways into your life is the b sides >love your family<. yet another disco gem, this tune is mellower yet will still have you running to the dancefloor with its first-class bass guitar riff, deeply-disco tambourines and hand-claps. great stuff!

brooklyn synth/post punk outfit brings this ep to the lectric sands label. colors brings a raw guitar, deep synth bass, & a sassy dadaist vocal. cities of the plain is a more minimal cut with a chiming rhythm that is followed by the reporter is a plant. zoovox takes side b with a remix.

as seen on fact mag, xlr8r, discobelle, mixmag + many more. marc mk kinchen has been one of house musics most distinctive and celebrated remixers since the early 1990s. a hero to generations of house and garage producers, one of the modern producers most inspired by mk is dj haus (uttu/ da autopsy/ hot city) the making of the remix was documented over a 3 part interview hosted via fact magazine, which has seen support from the 2 bears, dj q + many more, whilst the og is still seeing support from hot chip, drop the lime, toddla t, trouble & bass, rob da bank + more

mit tiefem groove und schönem gerassel kommst sie daher die studioassel. dies entzückende release kommt vom 3000 grad neuzugang dolph, der hier nun seine solo ep präsentiert. 3 wunderschöne tracks die im club sowie im wohnzimmer tief unter die haut und direkt in die synapsen gehen. den passenden remix, wie soll es anders sein, packt labelpapa mollono.bass obendrein.

nice bass/electro/techno/chicago-house crossover by the mysterious producer m.n.l.t.h. reminding of eod or dmx crew and the likes, in typical weme style.

diva is a project which explores the outer regions of technos psyche - combining the trippy sensuality of chris & cosey with the brutalist analogue aesthetic of the likes of robert hood or liasons dangereuses. inspired by the vocal histrionics of strobe lit sirens such as loleatta holloway and jocelyn brown, diva calls on the protean roots of basement club music. lead track >paris stabbing< is a stunning excursion into motor city madness, abstracted disco vocals clash with a broken digi-arpeggio and hooverish bass break down, whilst the flip side >but i ve never< imposes a detuned synth siren over an industrial bass sequence and sp1200 piano stabs to eerie effect. also included is the >paris stabbing (beats)< which pares down the original, adding detuned melodic percussion into a minimalist after hours tool.

supported by ricardo villalobos, richie hawtin, raresh, m.a.n.d.y., andre galluzzi, ryan crosson, meat, matt star, franksen, mozaic. mr. jens zimmermann is back again with an new 12 minute deep techno bass killer. no more words necessary. on the flipside we have brilliant deep detroit techno from our man silvio marquardt from greifswald, germany. in this track things happen and happen and it goes directly into your brain. just lay down, listen, relax or just dance to that music.

already a regular fixture on figure, swedish talent mikael jonasson returns for his third outing on the label with two cutting-edge techno experiments. incredibly crisp and clear, already primed for the worlds finest bigsystems, cravings encapsulates everything that a modern paranoid techno jam should be. surging textures, static-madness and a whole lot of detail wrapped up in a rolling, funky workout. jonasson is well known for his attention to detail and freaky, alien sound effects, and cravings only solidifies his talents there. the fizzing, low slung thump of swings still twists and shimmers in the high frequencies, full of details, but the deeper earthy kick and bass barrage take this one into more serious, heads-down zones. a real slammer for moments when you know youve captured your followers completely

ts7, fresh from reworking singles for afrojack and tulisa, presents >grade a<, a colourful basssline number. in what will be his first vinyl outing since 2008, ts7 utilises his 4x4 roots, working a clever looping bass to perfection with some neat vocal sampling to give it bags of dancefloor swagger. complimented by a heavyweight remix package, >grade a< certainly packs a punch. remixes come from hyperdubs walton and mista mens mella dee. walton delivers an incredible grimy rework, culminating in a series of earshattering breakdowns and some fantastic synth work that draws comparisons with some of wileys early productions. mella dee, meanwhile, moves away from his 8-bar sound as heard in coyotes debut release >ctrl<, and looks to house for inspiration with >grade a< receiving a thorough rework in that vibe. full of the sounds more familiar with his mista men productions but packing more of a grimy punch, mellas remix is a surefire dancefloor favourite.

two proper peak time house tracks here from the organ grinder blending uk garage vibes with traditional us house. my rendition is a refined and warm housey affair which kicks off on a light piano tip before the bass creeps in to disarm and charm dance floors. vocal snippets drop in over the breakdowns and the tracks irresistible melody to lead it to an intense atmospheric peak. jersey jam is a svelte jersey style future groover which sticks to the basic principles of crisp drums paired with a melodic hook set around a simple and quirky arrangement with an infectious vocal gluing the whole track together.

george thompson is part of spectral empire, also known as black merlin.george thompson has recorded a slo-mo, slap bass epic.george thompson once nearly sold me a vintage synthesizer.and hails from yorkshire.- andrew weatherall

fresh off the back of an enormous hypercolour ep that saw the house and bass movements come together in sheer awe and appreciation, tom demac returns with the little bits that matter ep on pets recordings